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New 10-year plan to end domestic violence in Australia_我的网站

A |     Canberra, Oct 17 (UNI) The Australian government has announced a national plan to end domestic violence within a generation.



Amanda Rishworth, minister for Social Services, and Katy Gallagher, minister for Women, along with state and territory officials on Monday launched the 10-year National Plan to End Violence against Women and Children.



The landmark blueprint for change calls for reforms to how justice systems, the health sector, perpetrators, media, schools and technology companies act, highlighting the importance of engaging with men and boys to target violence at all levels.



It features two five-year action plans, with a separate plan to be developed for Indigenous women and children.



The plan suggests more funding be made available for men's behavior change programs and perpetrator interventions.



Kate Fitz-Gibbon, director of the Monash Gender and Family Violence Prevention Centre, described the plan as "world-leading."



"It sets the ambition to create whole-of-system responses that not only support victim-survivors to survive, but to thrive beyond their experience of violence," she said.



"This national plan represents a much-needed decade-long commitment to eliminate the national crisis of domestic, family and sexual violence."





"Current rates of family, domestic and sexual violence are unacceptable," Rishworth said.



"We want to make these changes now so the next generation of women and children can live in a society free from violence."



"We need sustained and collective action across society," she added.

UNI/XINHUA PRT。    The debate around cinematic narratives and representation has taken a personal turn as Diljit Dosanjh recently shared a hard-hitting post on his Instagram stories. He shared a report highlighting the stark contrast between the reception of mainstream patriotic films and the ongoing struggle of his long-delayed biopic, Punjab 95. The post shared by Diljit draws a direct comparison between how certain roles are celebrated versus others that face hurdles. It points out that while Diljit receives widespread acclaim for his participation in high-profile patriotic projects like Border 2, his work on the biopic of human rights defender Jaswant Singh Khalra remains in a state of limbo.          The shared content notes that Punjab 95 has been stuck with the CBFC (Central Board of Film Certification) for three years. This delay stands in contrast to the rapid success of other contemporary releases, such as Dhurandhar: The Revenge, which the post mentions is being celebrated even as Punjab 95 continues its battle with the censor board. Punjab 95, directed by Honey Trehan, delves into the life of Jaswant Singh Khalra and his investigations into sensitive historical events in Punjab. The film has reportedly faced demands for extensive cuts and changes, preventing its domestic release for almost 36 months.               The post suggests a perceived disparity in how the film industry and regulatory bodies treat different types of stories. While films that align with established nationalistic themes often find a smooth path to the audience, biographical stories that explore complex human rights issues or historical grievances seem to face a much more rigorous and prolonged screening process.     By sharing this specific critique, Diljit Dosanjh aligned himself with the conversation regarding creative freedom and the importance of telling diverse stories. For now, the contrast between the celebrated mainstream cinema and the stalled biopic of Jaswant Singh Khalra continues to spark a debate about the future of storytelling in Indian cinema.     Also Read: Border 2 OTT Release: When & Where to Watch Sunny Deol’s Film?。

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Published on:05:57:44